Finally, set the ‘KEYB’ fader to 5, which will reduce filter keyboard tracking, resulting in a more evenly balanced sound between high and low notes. Use a short, plucky envelope with decay set to 4 and no sustain. Lower the main filter frequency fader to 3 and set the filter’s envelope control to 3.5, which will set the depth that the envelope opens the filter for each note. To program the bass synth using TAL U-NO-LX, turn on the square wave oscillator and reduce the sub oscillator volume to 8.5.
Roland xv 5080 patch download update#
XV-5080 System Update Version 1. XV-5080 System Update Version 1.30 (PC - SmartMedia). This rhythmic digital delay is an important part of the Visions sound, and is also used on vocals, drums and piano parts. Stay up to date with Roland news, artists, promotions, events, and more. The main synth sound heard in Genesis is the bassline, which has a characteristic bouncing delay effect added.
As well as uncovering which Juno-G patches were used in the original recordings, I also fully recreated the two songs using Arturia Mini V, TAL U-NO-LX and XV-5080 from the Roland Cloud collection. The Juno-G boasts powerful features, digital oscillator sounds, multi-fx and layering, and very little in common with the vintage Juno-60/106 sounds that I usually cover. For this synth sounds article I’ll go back to 2012’s Visions, particularly the tracks Genesis and Oblivion, as well as the hardware synth that shaped that album, the Roland Juno-G, a digital workstation synth released in 2006. Grimes, aka Claire Boucher, recently released her fifth studio album Miss Anthropocene, exploring a darker sound than on previous releases, and her first album since 2015’s acclaimed Art Angels.
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